teribabayeva: L’amant (1992) “I know it’s not clothes that make women beautiful or otherwise, nor beauty care, nor expensive creams, nor the distinction of costliness of their finery. I know the problem lies elsewhere. I don’t know where. I

teribabayeva: L’amant (1992) “I know it’s not clothes that make women beautiful or otherwise, nor beauty care, nor expensive creams, nor the distinction of costliness of their finery. I know the problem lies elsewhere. I don’t know where. I

Theblueangel87: Anthony Kiedis And John Frusciante (Red Hot Chili Peppers)

Forcemajeureart:iceage - You’re Nothing.

Antropomorfisme

Ianaitch: Ph Lulu Mcardle St Domenico Landolfi Fuckingyoung!

Clawmarks: Apostel Johannes (Detail) - Martin Schongauer - C.1470-1490 - Via Rijksmuseum

A Meadow In My Perfect World

Detailsofpaintings: Egon Schiele, Zwei Sich Umarmende Frauen (Detail) 1911

Tothecomrades: “Hell Must Break Before I Am Lost; Before I Am Lost, Hell Must Open Like A Red Rose For The Dead To Pass.” — H. D., From The Collected Poems Of Hilda Doolittle: 1912-1944; “Eurydice,” (Via Violentwavesofemotion)

Bug-Gin: The Living End (1992) Dir. Gregg Araki

A Meadow In My Perfect World

Nobrashfestivity: Shoji Ueda, My Wife On The Dunes, 1950 Photography From The Gloria Katz And Willard Huyck Collection Arthur M Sackler Gallery More

Imaslave4U: Kylie Minogue Photographed By Stephanie Sednaoui (1997)

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